"Take Control" is the first song on Heart Beatings, my first album with Midnight Crisis, which is my first album as a lead singer & songwriter, (along with LASE, of course)....and furthermore, it's the first complete-incomplete song idea I've every put together on my own (which LASE added to later).
So, there are a lot of firsts, there.
Oddly enough, that song came spontaneously, out of cluttered air, about four years ago. It was one of those rare nights (at the time) when I stayed in & chilled after at least a week of going out every night. I was sitting with my acoustic bass guitar, which I'd had for the better part of ten years, but had done nothing short of jack shit with...and I thought: let's try something this rhythmic riff idea that I got from the Sisters of Mercy's song "Ribbons" - really simple, but quite deliberate, and easy to put a melody and an attitude over. So I fucked around with it, rolled it, poled it, and marked it with an E...but then I had to go to the other part of this idea...which was to take the main riff to Janes Addiction's "Ain't No Right", and put THAT through the same battering process to change it JUST enough to sound like it might resemble something of its own. (I also wanted all of this this contextualized by some sort of Guns n' Roses "Rocket Queen" or Motley Crue "Too Young To Fall In Love" sort of feel and swagger, if you will). Then, somehow, I came up with the bridge part, too, just via trial and error.
It's not as if I was or am ANY kind of bass player, or guitar player, but I am able to teach myself how to play what I have on my head and show it to someone else...who can then take the main idea and add the punctuation - dot the Ts and cross the Is - make this bold, and italicize this, and add lots of colors & shades & cool shit to it, and make it a fucking SONG, ya know?
I digress...
Another really funny thing I did when I did the original demo of the song (which, like all of my song ideas, I made using GarageBand on my phone, and doing a LOT of swearing in the process) was....I banged out a sort of "machine-shop" percussion track on this metal stool of mine, kind-of like I'd imagine Cop Shoot Cop probably did once upon a time, and it gave it this really cool, unique special percussion effect. It's for the reason that I banged out a similar pattern on an iron skillet when we recorded the song for real, at LASE's house, and if you listen really closely, you can start hearing it, I think, after the chorus kicks in.
Lyrics? Hell, I don't know. I came up with the entire thing on the fly, lyric-wise, and kept 95% of it the way I wrote it that night. It was just something that took shape, in that spontaneous, stream-of-consciousness kind of way that songs (sometimes the best ones) often do. I after I'd gotten the musical skeleton down, I just listened to it, and, without thinking about it, started with, "Sometimes I think about you when I'm lost into the night...." (a little PJ Harvey and a little Only Ones - right in the first line, huh?). I mean, ANYONE from your girlfriend to your grandma wants to hear that, you know what I mean? But you have to say these things within the rhythmic context of the song, and hopefully wrap enough of a melody around it to make it palatable for anyone besides yourself, HAHAHAHAHA!!! It can be a bitch....but when it works, it works.
My favorite lyric? The last line in verse 1: "...every tear you cry paints a picture of my heartbreak."
The chorus? "Take control"...of what, exactly? Hell....I think I was just really singing about what the fuck I was doing, now that I think about it. I'd had a lot of song ideas in my head for years, some being better than others, and was frustrated that none of them were coming into fruition. So, without giving it a lot of thought, I finally grabbed myself by the breaches and got to work....and now, we finally have an album of it.
I digress....
Anyway, the lyrics took about 5 minutes to write, and I finished the demo around 6am or so, or in my world, bed time!
It's the coolest thing in the world for me to have made this a real, recorded song, with LASE's killer guitar madness, not to mention his top-fucking-notch production/engineering work, + Mike's brutal warrior drums whipping it mercilessly into shape.
Anyway, download a copy....or at LEAST stream it.
And thank you for listening.
Next song, next week.
Marty E.
"Nothin' matters but tonight and you and me..."
Stream/download "Take Control" on BandCamp
Download "Take Control" on CD Baby (or buy Heart Beatings CD)
Download "Take Control" on Apple iTunes
Download "Take Control" on Amazon
"Take Control" on Spotify
Showing posts with label motley crue. Show all posts
Showing posts with label motley crue. Show all posts
Sunday, October 22, 2017
Monday, June 15, 2009
A Rock N' Roll version of "Pay It Forward", or "Working My Way Back to..."????
If you know anything about me, you know that music, especially Rock N' Roll music, is my passion, joy, and pain. From a very lean age, great Rock N' Roll has inspired me to seek out what inspired it, as much as it has to create my own.
I discovered this a LONG time ago, when Guns N' Roses released Appetite For Destruction. For a young lad such as I was at the time, there wasn't ANYTHING that sounded quite like it (especially since I was used to....well, shit like Motley Crue and Kiss, etc, which are fine and good in their own right...but comparatively dim in my view). The music was raw, real, honest, deep, and made no apologies, whether it was about Sex, Drugs, Love, Paranoia, Struggling, Starving, or whathaveyou. But, in hindsite what I REALLY liked about Gn'R was that they name-checked their influences in a LOT of their interviews, and insodoing, they not only did a service to those bands that influenced them by exposing and paying tribute to them, but they were also doing just as much of a service to pint-sized, impressionable fans like myself.
The first band that Gn'R were responsible for turning me onto (besides, perhaps, Aerosmith) were Hanoi Rocks. And the influence was evident right away, not only visually (Axl Rose and Izzy Stadlin', in the early days, certainly resembled Michael Monroe and Andy McCoy), but musically as well. Guns, surely by no coincidence, lifted the title, "Welcome to the Jungle" from a lyric in the chorus if Hanoi Rocks's "Underwater World". That being said, Guns made sure that the first 4 Hanoi Rocks studio albums (and later their live All Those Wasted Years album) got released in the US via Geffen on their Uzi Suicide imprint. You have to admit, that's pretty fucking classy.
The Guns N' Roses/Hanoi Rocks connection didn't end there by any means. First of all, it was then via Hanoi Rocks that I got into the New York Dolls (and of course various spin-off/solo projects rose from their ashes)....for which not enough has been written and there's just too much to write...but case in point, I loved/related to the Dolls pretty quickly and the older I get, the more I love them and what their music represents...which is close to what Gn'R represented, but it was much more controversial to dress up and live that level of decadence in the 70's, which proved, in a nutshell, to be the Dolls' undoing....and the Dolls were and are a New York institution, and as far as Rock N' Roll goes, probably the best and most definitive, for my ears.
Furthermore, it was via Hanoi that I really started to appreciate Punk Rock....sure, I was into the Sex Pistols and the Clash to a minimal degree (at the time), but I didn't quite "get it" yet. Then I read an interview w/ Sami Yaffa in a Hanoi fanzine about how The Damned were his biggest influence, or something along those lines (I've since been able to thank Sami in person, hahahahaha). THIS I understood. They were fun, didn't take themselves too seriously (until much later), wrote great songs, and played them well. And via the Damned, I was able to appreciate what the other Punk Rock bands of that era (especially) had to offer. And that has certainly done a service to me and the music I've played.
Of paramount importance, though, is the fact that the GnR/Hanoi Rocks/Aerosmith/Dolls/English Punk lineage led me, once and for all, to the Rolling Stones....who, like AC/DC and the afrementioned Punk bands, I didn't understand fully until I had been drinking for a little while, hahahaha. I can't really say a goddamn thing about the importance of the Rolling fuckin' Stones that hasn't already been said 75 Billion times, but....it was through those bands who took their style and spun it into their own who brought me to them......
Anyway, I could write a lot about all the directions this could go in, from Motown to Trip Hop to Death Metal (well...a little bit anyway), but who has the time?
My point is, that while listening to your idols is important, it's just as important to listen to your idols' idols...(and maybe a little Billy Idol, for that matter)....so then they become yours too. And furthermore, if you have an opportunity to tell people who are into what you to, you're doing a service not only to the bands in question, but to your listeners. My hope is that one day I find myself on a level at which I can make that matter to lots of people as much as my boyhood icons made it matter to me!
Thanks for reading!
Marty E.
I discovered this a LONG time ago, when Guns N' Roses released Appetite For Destruction. For a young lad such as I was at the time, there wasn't ANYTHING that sounded quite like it (especially since I was used to....well, shit like Motley Crue and Kiss, etc, which are fine and good in their own right...but comparatively dim in my view). The music was raw, real, honest, deep, and made no apologies, whether it was about Sex, Drugs, Love, Paranoia, Struggling, Starving, or whathaveyou. But, in hindsite what I REALLY liked about Gn'R was that they name-checked their influences in a LOT of their interviews, and insodoing, they not only did a service to those bands that influenced them by exposing and paying tribute to them, but they were also doing just as much of a service to pint-sized, impressionable fans like myself.
The first band that Gn'R were responsible for turning me onto (besides, perhaps, Aerosmith) were Hanoi Rocks. And the influence was evident right away, not only visually (Axl Rose and Izzy Stadlin', in the early days, certainly resembled Michael Monroe and Andy McCoy), but musically as well. Guns, surely by no coincidence, lifted the title, "Welcome to the Jungle" from a lyric in the chorus if Hanoi Rocks's "Underwater World". That being said, Guns made sure that the first 4 Hanoi Rocks studio albums (and later their live All Those Wasted Years album) got released in the US via Geffen on their Uzi Suicide imprint. You have to admit, that's pretty fucking classy.
The Guns N' Roses/Hanoi Rocks connection didn't end there by any means. First of all, it was then via Hanoi Rocks that I got into the New York Dolls (and of course various spin-off/solo projects rose from their ashes)....for which not enough has been written and there's just too much to write...but case in point, I loved/related to the Dolls pretty quickly and the older I get, the more I love them and what their music represents...which is close to what Gn'R represented, but it was much more controversial to dress up and live that level of decadence in the 70's, which proved, in a nutshell, to be the Dolls' undoing....and the Dolls were and are a New York institution, and as far as Rock N' Roll goes, probably the best and most definitive, for my ears.
Furthermore, it was via Hanoi that I really started to appreciate Punk Rock....sure, I was into the Sex Pistols and the Clash to a minimal degree (at the time), but I didn't quite "get it" yet. Then I read an interview w/ Sami Yaffa in a Hanoi fanzine about how The Damned were his biggest influence, or something along those lines (I've since been able to thank Sami in person, hahahahaha). THIS I understood. They were fun, didn't take themselves too seriously (until much later), wrote great songs, and played them well. And via the Damned, I was able to appreciate what the other Punk Rock bands of that era (especially) had to offer. And that has certainly done a service to me and the music I've played.
Of paramount importance, though, is the fact that the GnR/Hanoi Rocks/Aerosmith/Dolls/English Punk lineage led me, once and for all, to the Rolling Stones....who, like AC/DC and the afrementioned Punk bands, I didn't understand fully until I had been drinking for a little while, hahahaha. I can't really say a goddamn thing about the importance of the Rolling fuckin' Stones that hasn't already been said 75 Billion times, but....it was through those bands who took their style and spun it into their own who brought me to them......
Anyway, I could write a lot about all the directions this could go in, from Motown to Trip Hop to Death Metal (well...a little bit anyway), but who has the time?
My point is, that while listening to your idols is important, it's just as important to listen to your idols' idols...(and maybe a little Billy Idol, for that matter)....so then they become yours too. And furthermore, if you have an opportunity to tell people who are into what you to, you're doing a service not only to the bands in question, but to your listeners. My hope is that one day I find myself on a level at which I can make that matter to lots of people as much as my boyhood icons made it matter to me!
Thanks for reading!
Marty E.
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